{"id":477,"date":"2023-06-14T11:53:40","date_gmt":"2023-06-14T11:53:40","guid":{"rendered":"https:\/\/www.operapragensia.cz\/?p=477"},"modified":"2026-02-08T14:52:06","modified_gmt":"2026-02-08T14:52:06","slug":"vystava-ceska-a-slovenska-architektura","status":"publish","type":"post","link":"https:\/\/www.operapragensia.cz\/?p=477","title":{"rendered":"V\u00fdstava &#8222;Praha &#8211; V\u00edde\u0148 &#8211; Souvislosti&#8220; je otev\u0159ena!"},"content":{"rendered":"<style>\/*! elementor - v3.23.0 - 15-07-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style>\n<h3>Praha &#8211; V\u00edde\u0148 &#8211; Souvislosti<\/h3>\n<h5>V\u00fdstava <\/h5>\n<style>\/*! 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elementor - v3.23.0 - 15-07-2024 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\n<p>\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.operapragensia.cz\/?p=541\"><br \/>\n\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"640\" height=\"427\" src=\"http:\/\/www.operapragensia.cz\/wp-content\/uploads\/2024\/11\/DSC_4160-1024x683.jpg\" alt=\"\" srcset=\"https:\/\/www.operapragensia.cz\/wp-content\/uploads\/2024\/11\/DSC_4160-1024x683.jpg 1024w, https:\/\/www.operapragensia.cz\/wp-content\/uploads\/2024\/11\/DSC_4160-300x200.jpg 300w, https:\/\/www.operapragensia.cz\/wp-content\/uploads\/2024\/11\/DSC_4160-768x513.jpg 768w, https:\/\/www.operapragensia.cz\/wp-content\/uploads\/2024\/11\/DSC_4160-1536x1025.jpg 1536w, https:\/\/www.operapragensia.cz\/wp-content\/uploads\/2024\/11\/DSC_4160-2048x1367.jpg 2048w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/>\t\t\t\t\t\t\t\t<\/a><\/p>\n<style>\/*! elementor - v3.23.0 - 15-07-2024 *\/\n.elementor-column .elementor-spacer-inner{height:var(--spacer-size)}.e-con{--container-widget-width:100%}.e-con-inner>.elementor-widget-spacer,.e-con>.elementor-widget-spacer{width:var(--container-widget-width,var(--spacer-size));--align-self:var(--container-widget-align-self,initial);--flex-shrink:0}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container,.e-con>.elementor-widget-spacer>.elementor-widget-container{height:100%;width:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer{height:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner{height:var(--container-widget-height,var(--spacer-size))}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty,.e-con>.elementor-widget-spacer.elementor-widget-empty{position:relative;min-height:22px;min-width:22px}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon,.e-con>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon{position:absolute;top:0;bottom:0;left:0;right:0;margin:auto;padding:0;width:22px;height:22px}<\/style>\n<p>V Clam-Gallasov\u011b pal\u00e1ci na Star\u00e9m M\u011bst\u011b st\u00e1le prob\u00edh\u00e1 v\u00fdstava PRAHA \u2013 V\u00cdDE\u0147 \u2013 SOUVISLOSTI. Tato rozs\u00e1hl\u00e1 expozice ve dvaceti pal\u00e1cov\u00fdch s\u00e1lech a kabinetech pozoruhodn\u011b srovn\u00e1v\u00e1 v\u00fdvoje dvou st\u0159edoevropsk\u00fdch metropol\u00ed v dlouh\u00e9 \u010dasov\u00e9 perspektiv\u011b od jejich vzniku v ran\u00e9m st\u0159edov\u011bku a\u017e po sou\u010dasnost. V\u00edce ne\u017e 80 textov\u00fdch a obrazov\u00fdch panel\u016f, dobov\u00fdch vedut, map, pl\u00e1n\u016f, portr\u00e9t\u016f a na 40 origin\u00e1l\u016f \u010di faksimil\u00ed historick\u00fdch rukopis\u016f, listin, patent\u016f, pe\u010det\u00ed, medail\u00ed a publikac\u00ed dokumentuje d\u011bjinn\u00fd v\u00fdvoj Prahy a V\u00eddn\u011b od 1. do 21. stolet\u00ed a mapuje historii jejich vz\u00e1jemn\u00fdch vztah\u016f. J\u00e1dro v\u00fdstavy p\u0159edstavuje 60 trojrozm\u011brn\u00fdch model\u016f architektonick\u00fdch soubor\u016f i solit\u00e9r\u016f Prahy a V\u00eddn\u011b, dopln\u011bn\u00fdch n\u011bkolika virtu\u00e1ln\u00edmi rekonstrukcemi v\u00fdznamn\u00fdch objekt\u016f. <\/p>\n<p>Expozice v chronologick\u00e9m sledu p\u0159edstavuje po\u010d\u00e1tky obou m\u011bst a prvn\u00ed etapu jejich spole\u010dn\u00fdch d\u011bjin pod vl\u00e1dou \u010desk\u00e9ho kr\u00e1le P\u0159emysla Otakara II. (v letech 1241-1278). Dokl\u00e1d\u00e1 dominanci \u010desk\u00e9 metropole v obdob\u00ed vl\u00e1dy c\u00edsa\u0159e Karla IV. a znovu v dob\u011b vl\u00e1dy c\u00edsa\u0159e Rudolfa II., kdy podunajsk\u00e9 reziden\u010dn\u00ed m\u011bsto Habsbursk\u016f n\u00e1sledovalo pra\u017esk\u00fd vzor (v zalo\u017een\u00ed univerzity, v\u00fdstavb\u011b katedr\u00e1ly, recepci kulturn\u00edch vliv\u016f, v\u00fdm\u011bn\u011b um\u011blc\u016f a u\u010denc\u016f). Zachycuje prom\u011bnu, je\u017e nastala po ne\u00fasp\u011b\u0161n\u00e9m povst\u00e1n\u00ed \u010desk\u00fdch stav\u016f (1618-1620) a po skon\u010den\u00ed t\u0159icetilet\u00e9 v\u00e1lky (1618-1648), kdy se Praha ocitla naopak ve st\u00ednu V\u00eddn\u011b jako hlavn\u00edho a reziden\u010dn\u00edho m\u011bsta absolutistick\u00e9 habsbursk\u00e9 monarchie. Oslniv\u00fd vzestup a lesk imperi\u00e1ln\u00ed V\u00eddn\u011b v 18. stolet\u00ed m\u011bl protiklad ve stagnaci a provincializaci Prahy, kter\u00e1 utrp\u011bla terezi\u00e1nsk\u00fdmi v\u00e1lkami o rakousk\u00e9 d\u011bdictv\u00ed a klesla na \u00farove\u0148 hlavn\u00edho m\u011bsta pouze jedn\u00e9 z mnoha habsbursk\u00fdch zem\u00ed.<\/p>\n<p>T\u011b\u017ei\u0161t\u011b v\u00fdstavy spo\u010d\u00edv\u00e1 v zachycen\u00ed shodn\u00fdch i rozd\u00edln\u00fdch rys\u016f velk\u00fdch moderniza\u010dn\u00edch proces\u016f, kter\u00e9 ve druh\u00e9 polovin\u011b 19. a v prvn\u00ed t\u0159etin\u011b 20. stolet\u00ed prom\u011bnily barokn\u00ed a rokokovou V\u00edde\u0148 i st\u0159edov\u011bkou a barokn\u00ed Prahu v modern\u00ed velkom\u011bsta, je\u017e pro\u0161la shodn\u00fdmi vlnami pr\u016fmyslov\u00e9 revoluce, urbanizace p\u0159\u00edm\u011bstsk\u00e9 krajiny, budov\u00e1n\u00ed technick\u00e9 infrastruktury, asanace a hygienizace star\u00fdch \u010dtvrt\u00ed. Ve fin\u00e1le m\u00e1 n\u00e1v\u0161t\u011bvn\u00edk mo\u017enost porovnat rozd\u00edlnou cestu obou st\u0159edoevropsk\u00fdch velkom\u011bst politick\u00fdmi p\u0159evraty 20. stolet\u00ed i urbanistick\u00e9 a architektonick\u00e9 prom\u011bny, k nim\u017e v rozd\u00edln\u00fdch podm\u00ednk\u00e1ch Praha a V\u00edde\u0148 dosp\u011bly p\u0159i \u0159e\u0161en\u00ed obdobn\u00fdch probl\u00e9m\u016f p\u0159etv\u00e1\u0159en\u00ed dopravn\u00ed s\u00edt\u011b, bytov\u00e9 krize, p\u0159echodu k pr\u016fmyslov\u00e9 \u010di panelov\u00e9 v\u00fdstavb\u011b a posl\u00e9ze i p\u0159echodu od kvantitativn\u00edho r\u016fstu k nov\u00fdm koncepc\u00edm zdrav\u00e9ho a udr\u017eiteln\u00e9ho \u017eivotn\u00edho prost\u0159ed\u00ed a d\u00e1le a\u017e na pr\u00e1h \u201esmart cities\u201c 21. stolet\u00ed.<\/p>\n<p>V\u00fdstava, kter\u00e1 se kon\u00e1 v r\u00e1mci leto\u0161n\u00edch oslav \u010desko-rakousk\u00fdch kulturn\u00edch vztah\u016f a mezin\u00e1rodn\u00ed spolupr\u00e1ce metropol\u00ed Prahy a V\u00eddn\u011b, m\u011bla b\u00fdt ofici\u00e1ln\u011b otev\u0159ena v \u00fater\u00fd 17. z\u00e1\u0159\u00ed. Slavnostn\u00ed vernis\u00e1\u017e a s n\u00ed spojen\u00e9 dal\u0161\u00ed ceremoni\u00e1ly v\u0161ak zma\u0159ila p\u0159\u00edrodn\u00ed katastrofa. Pr\u00e1v\u011b v hodin\u00e1ch, kdy se m\u011bly konat, kulminovala na \u00fazem\u00ed \u010cesk\u00e9 republiky i Rakousk\u00e9 republiky povod\u0148ov\u00e1 vlna, kter\u00e1 plo\u0161n\u011b ni\u010dila krajinu, majetek i lidsk\u00e9 \u017eivoty. Za t\u011bchto okolnost\u00ed zajist\u00e9 nebylo vhodn\u00e9 cokoli oslavovat a \u010desk\u00e1 i rakousk\u00e1 kulturn\u00ed ve\u0159ejnost m\u011bla v dan\u00e9m okam\u017eiku jin\u00e9 priority ne\u017eli si p\u0159ipom\u00ednat tis\u00edciletou tradici vz\u00e1jemn\u00fdch vztah\u016f. V\u00fdstava, p\u0159ipraven\u00e1 ve spolupr\u00e1ci \u0159ady pra\u017esk\u00fdch pam\u011b\u0165ov\u00fdch instituc\u00ed a za sou\u010dinnosti v\u00edde\u0148sk\u00fdch partner\u016f si v\u0161ak navzdory uveden\u00fdm nep\u0159\u00edzniv\u00fdm okolnostem zaslou\u017e\u00ed, aby se k n\u00ed obr\u00e1tila pozornost Pra\u017ean\u016f i n\u00e1v\u0161t\u011bvn\u00edk\u016f metropole. Jen tak m\u016f\u017ee splnit sv\u00e9 posl\u00e1n\u00ed \u2013 st\u00e1t se podn\u011btem k hlub\u0161\u00edmu porozum\u011bn\u00ed dlouhodob\u00e9 spole\u010dn\u00e9 tradici a nep\u0159ehl\u00e9dnuteln\u00e9 kulturn\u00ed soun\u00e1le\u017eitosti dvou bl\u00edzk\u00fdch st\u0159edoevropsk\u00fdch metropol\u00ed.<\/p>\n<p>Doc. V\u00e1clav Ledvinka<\/p>\n<p><strong>Term\u00edn v\u00fdstavy:<\/strong>\u00a017. 9. \u2013 24. 10. 2024<br \/><strong>M\u00edsto kon\u00e1n\u00ed:<\/strong>\u00a0Clam-Gallas\u016fv pal\u00e1c, Husova 158\/20, 110 00 Praha 1 \u2013 Star\u00e9 M\u011bsto<br \/><strong>Po\u0159\u00e1d\u00e1:<\/strong>\u00a0Czech Architecture Week ve spolupr\u00e1ci s Muzeem hlavn\u00edho m\u011bsta Prahy<br \/><strong>Kur\u00e1to\u0159i v\u00fdstavy:<\/strong>\u00a0V\u00e1clav Ledvinka, Pavla St\u00e1tn\u00edkov\u00e1, Martina Koukalov\u00e1, Vladim\u00edr \u0160lapeta<br \/><strong>Odborn\u00e1 spolupr\u00e1ce:<\/strong>\u00a0Albert Wimmer, Andrea Glatz, Denise Quistorp, Helmut Selzer, Ivana Hekerle, Jakub Kunert a Peter Prokop<br \/><strong>Architektonick\u00e9 a grafick\u00e9 \u0159e\u0161en\u00ed:<\/strong>\u00a0Daniel Perogordo Madrid, Vladim\u00edr \u0160lapeta, Barbora Solperov\u00e1 \u2013 Titty, s.r.o<br \/><strong>Z\u00e1p\u016fj\u010dky expon\u00e1t\u016f a institucion\u00e1ln\u00ed spolupr\u00e1ce:<\/strong> Architekturzentrum Wien, Archiv hl. m. Prahy, Albert Wimmer ZT GmbH, CIRA Advisory, \u010cesk\u00e1 n\u00e1rodn\u00ed banka, \u010cesk\u00e9 vysok\u00e9 u\u010den\u00ed technick\u00e9, Fakulta stavebn\u00ed \u010cVUT, Institut pl\u00e1nov\u00e1n\u00ed a rozvoje hl. m. Prahy, Muzej za architekturo in oblikovanje (Ljubljana), Muzeum hl. m. Prahy, N\u00e1rodn\u00ed divadlo, N\u00e1rodn\u00ed galerie v Praze, N\u00e1rodn\u00ed knihovna \u010cesk\u00e9 republiky, N\u00e1rodn\u00ed muzeum \u2013 Historick\u00e9 muzeum, N\u00e1rodn\u00ed technick\u00e9 muzeum, \u00d6sterreichisches Kulturforum Prag, Rakousk\u00e9 velvyslanectv\u00ed v Praze, Region\u00e1ln\u00ed muzeum v J\u00edlov\u00e9m u Prahy, Spr\u00e1va Pra\u017esk\u00e9ho hradu, \u00d6sterreichische Nationalbibliothek, Stadt Wien.<\/p>\n<p>Projekt je realizov\u00e1n s financn\u00ed podporou hlavn\u00edho mesta Prahy.<\/p>\n<p>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.operapragensia.cz\/?p=541\"><br \/>\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"300\" height=\"225\" src=\"http:\/\/www.operapragensia.cz\/wp-content\/uploads\/2024\/08\/magistrat-hl-m-prahy-300x225.png\" alt=\"\" srcset=\"https:\/\/www.operapragensia.cz\/wp-content\/uploads\/2024\/08\/magistrat-hl-m-prahy-300x225.png 300w, 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Tato rozs\u00e1hl\u00e1 expozice ve dvaceti pal\u00e1cov\u00fdch s\u00e1lech a kabinetech pozoruhodn\u011b srovn\u00e1v\u00e1 v\u00fdvoje dvou st\u0159edoevropsk\u00fdch metropol\u00ed v dlouh\u00e9 \u010dasov\u00e9 perspektiv\u011b od jejich vzniku v ran\u00e9m st\u0159edov\u011bku a\u017e po sou\u010dasnost. V\u00edce ne\u017e 80 textov\u00fdch a obrazov\u00fdch panel\u016f, dobov\u00fdch vedut, map, pl\u00e1n\u016f, portr\u00e9t\u016f a na 40 origin\u00e1l\u016f \u010di faksimil\u00ed historick\u00fdch rukopis\u016f, listin, patent\u016f, pe\u010det\u00ed, medail\u00ed a publikac\u00ed dokumentuje d\u011bjinn\u00fd v\u00fdvoj Prahy a V\u00eddn\u011b od 1. do 21. stolet\u00ed &hellip; <\/p>\n","protected":false},"author":1,"featured_media":3685,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,7],"tags":[],"class_list":["post-477","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktuality","category-opera_pragensia_2024"],"_links":{"self":[{"href":"https:\/\/www.operapragensia.cz\/index.php?rest_route=\/wp\/v2\/posts\/477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.operapragensia.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.operapragensia.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.operapragensia.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.operapragensia.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=477"}],"version-history":[{"count":65,"href":"https:\/\/www.operapragensia.cz\/index.php?rest_route=\/wp\/v2\/posts\/477\/revisions"}],"predecessor-version":[{"id":3691,"href":"https:\/\/www.operapragensia.cz\/index.php?rest_route=\/wp\/v2\/posts\/477\/revisions\/3691"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.operapragensia.cz\/index.php?rest_route=\/wp\/v2\/media\/3685"}],"wp:attachment":[{"href":"https:\/\/www.operapragensia.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.operapragensia.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.operapragensia.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}